On Writing Tenderness Between Men

I want to talk about something that comes up more than it should, which is the idea that tenderness between men requires explanation.

It doesn’t. But here we are, and since we’re here I’m going to make the case as plainly as I can.

Men are tender. Real men, actual men, the men who exist in the world outside of fiction — they are tender with their children, with their elderly parents, with the people they love who are hurting. They bring cups of tea without being asked. They sit with someone in the dark. They know, without being told, when what’s needed is a hand on the back rather than a solution. Nobody bats an eye at any of this, and rightly so.

So why, the moment two men love each other, does tenderness become something that apparently needs to be justified?

I’ve thought about this a lot, because I write men loving men and I write them the way I believe them to be — which is fully human, with the full range of what that means. Deacon Worth does not become a different person because the love of his life is Konstantin Andropov rather than a woman. He is still a Worth, still led by his heart before his head has a chance to object, still capable of touching someone’s face with a tenderness that costs him nothing and means everything. That is who he is. The gender of the person receiving that tenderness doesn’t change it.

Because here is what I know about the men I write: they are not tender despite being the men they are. They are tender because of it. Because they have chosen, consciously or not, to reject the premise that strength and gentleness cannot occupy the same person at the same time. They are strong men who have simply never accepted the idea that tenderness is something to be rationed or hidden or ashamed of. The ones who have been hardened by the world — and some of mine have been hardened considerably — love with a quietness and a specificity that would undo you if you saw it up close.

What I’m really writing, when I write tenderness between men, is perspective. The perspective of a man who looks at the person he loves — this specific person, this face, these hands, this complicated and particular human being — and feels something that expresses itself gently. Not because he’s performing sensitivity. Not because the genre demands it. But because that is what love does when it’s paying attention. It notices. It takes care. It shows up in the small gestures that accumulate over time into something enormous.

That is not a female experience. That is not a male experience. That is a human experience, and my men get to have it, and I will not be writing them any other way.

They love who they love. They love them tenderly. That’s the whole story.

— Bella 🏒

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